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Origin of the Chinese Script
There have been various stories about the origin of the Chinese script,
with nearly all ancient writers attributing it to a man named Cangjie.
Cangjie, according to one legend, saw a divine being whose face had unusual
features which looked like a picture of writings. In imitation of his image,
Cangjie created the earliest written characters. After that, certain ancient
accounts go on to say ,millet rained from heaven and the spirits howled every
night to lament the leakage of the divine secret of writing.
Another story says that Cangjie saw the footprints of birds and beasts,
which inspired him to create written characters.
Evidently these stories cannot be asccepted as the truth, for any script
can only be a creation developed by the masses of the people to meet the needs of
scocial life over a long period of trial and experiment. Cangjie, if there
ever was such a man, must have been a prehistoric wise man who sorted out and
standardized the characters that had already been in use.
A group of ancient tombs have been discovered in recent years at Yanghe in
Luxian County, Shandong Province. They date back 4,500 years and belong to a
later period of the Dawenkou Culture. Among the large nubers of relics unearthed
are about a dozen pottery wine vessels (called zun), which bear a character
each. These characters are found to be stylized pictures of some physical objects.
They are therefore called pictographs and ,in style and structure, are already
quite close to the inscriptions on the oracle bones and shells, though they
antedate the latter by more than a thousand years.
The pictographs, the earliest forms of Chinese written characters, already
possessed the characteristics of a script.
As is well-known, written Chinese is not an alphebatic language, but a script
of ideograms. Their formation follows three principles:
1) Hieroglyphics or the drawing of pictographs--As explained before, this
was the earliest method by which Chinese characters were designed and from
which the other methods were subsequently developed. For instance, the sun was
written as
, the moon as
, water as
, the cow as
and so on.
These picture-words underwent a gradual evolution over the centuries until
the pictographs changed into"square characters," some simplified by losing
certain strokes and others made more complicated but, as a whole, from
irregular drawings, they became stylized forms.
2) Associative compounds - The principle of forming characters by drawing
pictures is easy to understand, but pictographs cannot express abstract ideas.
So the ancients invented the "associative compounds,"i.e., characters formed
by combining two or more elements, each with a meaning of its own, to express
new ideas. Thus, the sun and the moon written together became the character
(ming), which means "bright"; the sun placed over a line representing the
horizon formed the ideogram
(dan) which means "sunrise "or "morning".
3) Pictophonetics-- Though pictographs and associative compounds indicate
the meanings of characters by their forms, yet neither of the two categories
gives any hint as to pronunciation. The pictophonetic method was developed to
create new characters by combining one element indicating meaning and the other
sound. For instnce, (ba) the Chinese character for "papa" is formed by the
element (ba) which represents the sound and the element (fu) which represents
the meaning( father). Likewise the character (ba) is formed by (the sound)
and , indicating a plant. In this way, more and more characters were made
until such pictophonetics constitue today about 90 percent of all Chinese
characters.
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